Thursday, October 27, 2011

My MArch Graduation Studio Presentation Panel


The experience of lift, in the moment of inflection that is the by-product of motions such as jumping, it is the sense of suspense that is felt at any moment’s highest point. Likened to a photo, lift captures the whole of ones self caught in time. There is no sight, smell or touch but everything all at once. To jump in perfect sync with another is to join the other, in connection. A singularity of moments, to each other it is the absolute of neither up nor down. Beyond lift there is no world, yet the world in which lift resides is not constructed. Becoming a flash of that which we do not know and no matter how one tries there is no continuation of what was before. The transience of lift is sustained in moments of the extreme. Extreme discovery, joy, shame, loss, fears, each being projected in oneself during lift. So that which surrounds one unconsciously affects the procession of lift, veiled in secrecy of what there is to reveal. Yet within this world, we gravitate back to what we know, an eternal struggle to reach that which we cannot. Tension between the certainty of ground to the possibility of lift, the struggle of balance, of weight and weightlessness, in this paradigm we rise and fall over and over again, though it is in that impossible moment of inflection that we truly see ourselves.

Image © Roger Qian


Sunday, September 18, 2011

Tower Above the John Wardle

Another image I took earlier this year with Peter Bennetts' Leica M6 of Sydney's Centre Point Tower and the silhouette of the new John Wardle building being constructed underneath it on the left.

Image © Roger Qian

Tuesday, September 13, 2011

Monday Archilecture: Locky!

Cross collaboration at Uni is such a wonderful thing, in this particular instance between an art and law student.

Friday, September 9, 2011

Shirt

Another image I took earlier this year with my buddies Leica M6 with Leica 50mm Summilux lens attached.


Image © Roger Qian

Old Spice Ad, Questions

About a year ago I posted the Old Spice Ad and the making of video, amazingly no computer tricks were used to make the ad, all the sequences relying on a system of pulleys, winches and lifts to create the seamless transitions. Make sure to check out the video from last year here.

Below is one of the latest ads and also an interview with Isaiah Mustafa the 'Old Spice Man' for how the video was made.



Tuesday, September 6, 2011

Friday, August 26, 2011

New Panasonic Lumix G X Vario PZ 14-42mm f3.5-5.6 OIS Pancake Lens


The hybrid camera marketplace is really getting interesting at the moment, in addition to rapid release by Olympus, Panasonic and Sony in recent months, with the PL3, ML1, G3, GF3 and NEX-C3, NEX-5N, NEX-7 respectively. All the mentioned manufacturers have recently announced new and improved lenses to compliment these cameras. Olympus and Sony have both released some nice high quality primes but most notably perhaps Panasonics announcement of the Panasonic Lumix G X Vario PZ 14-42mm f3.5-5.6 OIS pancake lens, quite the mouthful I know.


The amazing thing about this new release is that it is less than half the size of the existing Lumix 14-42mm lens on offer, meaning in combination with cameras such as the Panasonic GF3, rivals some high end compact cameras such as the Panasonic LX5 and Olympus XZ-1 in terms of size. This is a big deal, as we know, hybrid cameras have vastly better image quality than even the best compact cameras out there, so if they are closing in in terms of size there is no reason not to go for one.

How Panasonic has reduced the size of the lens is by taking out the mechanical components needed to manually zoom and focus the original lens. Now both these settings are controlled via two toggles, which electronically adjust focus and zoom. In doing this, several compromises are made, including taking away the speed and accuracy of a manual zoom and focus ring and also not being able to show the focal distance. However compact cameras have used this method for as long as I can remember so it will be interesting to see how users respond to this. One other advantage in addition to the smaller size, is the ability for the lens to be used for video recording, as zoom/focus pulling would become smoother and quieter.


The next year or so is going to be very exciting for hybrid mirror less cameras, I simply can not wait to get my hands on a Sony NEX-7 and with cameras like the Sony NEX-C3, Panasonic GF3 and Olympus PL3 already on market, we really are being spoilt for choice at the moment, (check out my overview here of these cameras).

Threshold 2


A study of poles that graduate in size and material to control the dispersion of points in a public bath, forming a constellation of intensities working in cohesion to produce and hold the sense of lift.

Thursday, August 25, 2011

CineSkates Camera Sliders


Quite a clever start up project from Justin Jensen base in Austin, Texas. It is called the CineSkates System, it features three rubberised wheels that are added to existing GorillaPod products to create a light weight and versatile video recording tool. Currently available for the GorillaPod Focus, the CineSkates System can easily support a Canon 5D MarkII with a prime lens. As the wheels feature a modular connection there are also future plans to introduce perhaps radio controlled wheels that might be directed by an Apple or Android App. If you want to support the CineSkates start up or be one of the first people in the world to own the product visit Justin's Kick Starter page for more info.

Lastly check out the video below of the wheels in action, I'd put it on mute though, personally I can't take the backing track.